Prior to recording this LP, Nadia Cattouse appeared on some Parlophone singles, then on samplers like "Edinburgh Folk Festival" (which is NOT a live album!) on Decca 1963, "Hallelujah 66", and on both volumes of the "Club Folk" anthology, made by Pegasus, in 1972 (two separate abums, PS2 and PS 3), so me and other folk hooligans of those years were trying to find any possible trace of this singer, till a couple of LPs surfaced, this one and one on RCA, produced by Sandy Roberton. Strange that no recent "online encyclopedias" quote the existance of this LP, her first, because those (the mid-60s) were times that Nadia Cattouse was often appearing on Radio programs ("London Folk Song Cellar") and on TV with an unknown Martin Carthy accompanying her on guitar; the opening song "Nobody's business" earned a certain fame at the time. This record, catalogue number RY 1001, was the first released on Reality, but the label didn't last long, the sixth album (maybe also the last?) being Trevor Lucas' "Overlander", same year. NC is known for having published two further works, "Songs of Grief & Glory" (1967) and "Earth Mother" (RCA, 1970, partially live).
I prefer the 1970 LP, this self-titled album suffers a bit too much for the presence of loud percussions, sambas and calypsos all around, a kind of "tropical" album, fundamentally... But in so much sweat, all of a sudden, comes an extraordinary and unexpected last song, unaccompanied, a melody that gives you shivers...
I've been always curious to know whether her name must sound Cattooz or Catthouse...? one more item for the dilemma-surname list, like Nyro & others
This sounds very interesting
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